martes, 13 de marzo de 2012

Independent Study Rationale and Plan

Rationale:

Animated films have a long tradition in film history since the early days of cinema – producing such classics from Disney’s ‘Snow White’ – to its first computer-animated blockbuster ‘Toy Story’. Different film industries have turned to traditional film genres as the basis for their feature-length animations, but even though the genres may be familiar to us, the cinematic approach used is very different.
In this documentary, I will compare how the American and French films ‘Shrek’ and ‘Dragon Hunters’, interpret genre and narrative themes in a distinctive way and how this relates to the cultural and commercial factors behind them. 

Plan:
Audio
Video
Page 1: History and evolution of animation
Traditional vintage Mickey Mouse music playing in the background and as narration moves on, music changes into more epic music
Archive footage of early stages of animation progressing up to more sofisticated forms of animation
Stop motion, mickey mouse black and white, snow white,
Page 2: American and French tradition of animation (main theme of the documentary is presented)
Mainstream American pop music in the back while narrator speaks about American tradition
Stereotypical French music in the back while talking about French tradition
Montage of American culture and its influences over animation, same with France
Page 3: Present the two films that are going to be discussed (Shrek or Tangled and Dragon Hunters) and their relevance to the topic
Narrator voice over
Talking heads
Footage from both films
Talking heads
Page 4 and 5: Mise-en-scene from both films in relation to genre
Narrator voice over
Talking heads
Footage from both films
Talking heads
Page 6 and 7:Effect on audience
Narrator voice over
Talking heads
Footage from both films
Talking heads
Page 8 and 9: Cultural background and its overall effect on both films
Narrator voice over
Talking heads
Footage from both films
Talking heads
Page 10: conclusion
Narrator voice over
Talking heads
Footage from both films
Talking heads

jueves, 14 de julio de 2011

Descriptive and Functional Approach to Film

WORKSHEET:  GENRE BY DESCRIPTION


  1. Now make a table in your notes with each of the 7 genres along the top (leave a space for one EXTRA CATEGORY) -- and 5 columns for each of these categories:  i) theme, ii) mood and iii) setting iv) other elements v) examples of the genre.


Film noir
Gangster
Horror
Western
War
Science fiction
Monster Movie
auteur
Themes
Mystery, detective, investigation
Mob, organized crime, violence, family values
Suspense, terror, supernatural, evil, redemption, re-encarnation
Injustice, crime, vengeance, loner, power, tyranny
War, death, fights, man vs man, honor, conflict, duty, psychological suffery
Vision of the future, conflict, unknown, man vs future
Science fiction, Terror, mas vs monster, exploration, unknown

Mood
worried
happy, contrast, extreme violence
Suspense, tension, terror, disturbing
Adventure, action, suspense, dramatic
Serious, down, bleach, sombre
Action, sombre, cheerful
Adventure, action, fear

Setting
Naturalistic, urban, driving scenes
Parties, family houses, social events, urban/rural
Isolated, haunted house, graveyards
Old west, cowboys, desert (Nevada etc)
War Trenches, battlefield, destruction, dark, dirty
Advanced technology, space, future, cities
Island, cities

Other
Black and white

Music, different shots

Sound explosions, army music



Examples
The Big Sleep (Hawkes)
The Godfather (Francis Coppola)
The goodfellas (Scorcese)
The Shining (Stanley  Kubrick)
The Ring
The Magnificent Seven (John Sturges)
Paths of Glory (Stanley Kubrick), 300
Metropolis (Fritz Lang)
King Kong (Merian Cooper and Earnest Schoedsack)




  1. DISCUSSION POINT:  What are the problems you have found when you start to group films by using this descriptive approach – what are the strengths and weaknesses of this approach? Does this list take account of the auteur interpretation of film or film-makers such as Hitchcock? Write some notes here to explain your position.

This approach is useful when you are trying to categorize films because they are separated because they have things in common however it is also not very good when you have films which fall under many categories (E.g. Psycho, or any auteur film) This is because the auteur policy tries to make films which do not fall under a category and that are all consistent because of the director. In the case of Hitchcock his films do not fall under a specific descriptive genre because when you see at the characteristics it may fall under various categories.
A good thing about the descriptive genre separation is that it helps the industry as people go to the cinema to see a film because of its genre. However at the same time some people might not see some films because of their genre and that they dislike that genre. It also helps on the film pitch as when you present your film if it has a established genre it is easier for the producers to understand your film rather than if it is an unknown thing.  If we consider the auteur interpretation of film, the descriptive approach to genre is not very useful as it is against the auteur policy because it is categorizing auteur films as similar to other films which may not be auteur and the distinctive thing about auteur films is that they are different from other films.

  1. Little Red Riding Hood – auteur

  1. Location: House – Little Red Riding Hood is talking to her mother and she needs to take an envelope of money (McGuffin) to her grandmother. Her mother tells her that she must stay on the track and do not talk to strangers
  2. Location: city – Little Red Riding Hood is walking towards her grandmother’s house when a man talks to her and tells her to go through a “shortcut” and she does so
  3. Location: Grandmother’s apartment: The man arrives to the apartment and hides the grandmother inside a closet
  4. Location: Grandmother’s apartment: Little Red Riding Hood arrives but she sees no one there but the man is hiding behind the door with a gun
  5. Location: Grandmother’s apartment: A shot is heard but actually a policeman has shot the man as he was trying to steal the money 

Hitchcock Documentary Script


Opening Credits:
Black Screen title crawls in from the left Superimposed: Is Alfred Hitchcock a true auteur?


Still photo of Hitchcock


(0:15 0:40)
Montage from films from the French New Wave  and influential people
(Breathless, Francois Truffaut, etc)




Still shots of Hitchcock
Disolves
Stills shots of Chaplin, Welles and Hitchcock


Video clip of Breathless













Talking head (Charles Barr)








Video clip from a rollercoaster.
Post production grainy texture



Video clip of Hitchcock saying that “80% of my audience are women”



Video clip from The 39 Steps










Video clip from Psycho.
Scene where Marion is at the shower and the killer comes and kills her












Scene on North by Northwest were they leave Townsend’s house but as they leave the camera focuses on the gardener who was also the kidnapper


Montage of posters from Psycho, Rope and North by Northwest.




Scene from North by Northwest were Roger Thornhill meets Eve at the train








Scene from Psycho were Marion is being followed on the car



Video clip from a gun being fired but not shown its target








Video clip of Olive Berry in Studio giving interview on Hitchcock’s style of film making









Video scene were Marion is packing and we see the shot of the money in the envelope








Video clip from Psycho
Scene where Marion is driving her car and imagines what would happen when they discovered what she had done.
Superimposed: Psycho













Video clip from North by Northwest when he is being persecuted by an airplane
Superimposed: North by Northwest









Montage of Hitchcock’s pictures









Montage of Hitchcock’s pictures at the studio directing films








Picture of Fracois Truffaut
Superimposed: Francois Truffaut









Montage of Hitchcock’s most famous movies (Psycho, North by Northwest, Vertigo, Rope, etc)















Montage of Hitchcock different pictures on a set of movie
Superimposed: Alfred Hitchcock.



Video clip from Hitchcock saying  satisfaction of temporary pain”










Montage of films considered to be from Auteur Directors
E.g. Breathless

Montage of Hitchcock’s films






Video Clip of ‘Alfred Hitchcock presents’ opening scene, profile shadow


Music (fades)
Narrator (VO): many people consider Alfred Hitchcock to be one of the greatest directors in history, in fact some people call him an auteur director.
Narrator (VO): The auteur theory was originated in France as a result of the French New Wave in the 1950’s, and it believes that the director’s films reflect the director’s personal creative mission. The concept defines a film director as having consistency on films in terms of thematic and stylistic consistency.
It was advocated by film director and critic Francois Truffaut.
In auteur films the director is who controls the artistic statement and takes credit for the film, elevating film to a work of art.
The Auteur Theory was created during the French New Wave which was a reaction against the movies of the times because they were purely narrative and directors were simply overly paid technicians.
Famous directors who influenced the French New Wave were Charlie Chaplin, Orson Welles and Alfred Hitchcock himself.
Some characteristics about the French New Wave were the use of heavy editing, use of black and white, low budgets and the constant pursuit of the avant garde.

Narrator (VO): One of the obvious things that make Alfred Hitchcock special is that he always appeared in his films.
Charles Barr: Hitchcock appeared on the first ten minutes because he did not want the audience to be looking for him during the entire film

Narrator (VO):For Hitchcock he created the films for the mind of the audience and he says it is like being on a rollercoaster where you feel the fear of the fall but on the same time you enjoy it.
Sound effects: Girl screaming
Narrator (VO): Hitchcock puts a lot of emotion in his scenes to put more emotion he focuses on facial expressions. He uses the cameras as if it was a person looking at what is happening.
Hitchcock said: “People don’t always express their inner thoughts to one another” so he made actors transmit their thoughts through their actions and not through their words.
He has also always used montage in his movies because he says “transferring the menace from the screen into the mind of the audience” For example in Psycho we do not see Marion being killed but the montage of images create the scene in our minds and this gives a better impact.

Narrator (VO): We can see that on Hitchcock films there is a high use of dramatic irony and builds tension around it. The use of soundtrack creates more suspense and this can be seen in movies such as Psycho, Rope and North by Northwest.
(Background music from Psycho)

Narrator (VO) Another theme is framing innocent people, when a character is mistaken for a killer or a secret agent that does not actually exists like in North by Northwest. The theme of sex and guilt is also very important as in North by Northwest  as well as crime and punishment in Psycho.

Narrator (VO): Hitchcock uses heavy editing and many different types of shots per scene.
As Hitchcock himself said “there is no terror in the bang, only in the anticipation of it”. Hitchcock does not show things actually happening; the audience can imagine them like Marion being killed. He does not show the audience that she is being killed we can imagine it.

Olive Berry on Hitchcock: “Hitchcock’s monsters were not creatures of the imagination, but the characters that might occupy the next-door seat on the bus, or rent us a backwater motel room”

Narrator (VO): Hitchcock also uses the “McGuffin” which is an object part of the cause and effect logic however has no significance after the plot has happened. Like in Psycho, the money Marion steals.

Narrator (VO): Hitchcock is known to be the suspense master. He creates effects of suspense and terror over the audience and Hitchcock uses many cinematic techniques and elaborate editing as well as soundtrack to do this. For Hitchcock dialogue is not as important as image and visual effects as he expresses his ideas purely in visual terms.
His films are mainly based on the cause and effect logic like in Psycho and the chronology of his films is linear and the logic is of equilibrium, disruption of equilibrium and return to equilibrium.
Alfred Hitchcock uses both restricted and omniscient narration to create dramatic irony in North by Northwest as well as in Psycho. His recurrent theme of suspense as well as psychological thriller gets the audience focused and there is high use of panning and close ups.

Narrator (VO) Hitchcock has a consistent style of film making which is of creating suspense and making the audience stay attached and involved in the film. He creates the film so people can appreciate the art of cinema. Not because he wants to make a point.
Alfred Hitchcock had a say in every aspect of the film making process to show it exactly as he imagines it in his head and as he himself said about the other people involved in the film making process as “little other than elves in the master carpenters workshop”

As Fracois Truffaut, the creator of the Auteur theory, said about Hitchcock “He exercises such complete control over all the elements of his films and imprints his personal concepts at each step of the way, Hitchcock has a distinctive style of his own”
However, at the same time, film is a collaborative medium, in which it is impossible for one single person to manage it all. The director has to work with a lot of other people such as actors, editors, scriptwriters, camera operators and many other people who help in the film making process. Hitchcock himself said one “People embrace the auteur theory but it is difficult to know what someone means by it. Very often the director is no better than his script”
However it is difficult to talk about Hitchcock without referencing the auteur theory as he is a clear example of an auteur director. He shows consistency in his pieces of work and his films are works of art. He creates masterpieces of suspense which give the audience “satisfaction of temporary pain”. His works all show heavy use of editing, different camera angles and image is the main part of the film, not “pictures of people talking” as he himself says.

It is important to consider Hitchcock as un auteur as we give not only his films, but any auteur director’s films a new level as a piece of art making film industry more respectable. By considering Hitchcock as an auteur we recognize that he is the mastermind behind the films and that the final credit is given to him as he is the one who decides on everything. Without his decisions film would be completely different.
Furthermore this makes his name become a brand as people know his style and the themes treated in his films and they can almost predict how they are going to feel on his movies.